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Why Press-On Nails Are the Best Form of Manicure — Editor Review

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When extensions or nail art get introduced to the mix, a gel manicure can cost a pretty penny (over $100 if you like the real complicated stuff). When I take the plunge and try something new at the nail salon, there’s a solid fifty-fifty chance I’ll actually like it — those odds aren’t favorable for a broke bitch like myself. And what’s the use of paying for designs you don’t really enjoy, only to be forced to keep them on for weeks at a time? I say no, thank you.

Most packs of press-ons, however, cost less than $20. And like I mentioned earlier, they come in every style imaginable and come off rather easily. Even if you wanted to try a completely different nail look every couple of days, you still wouldn’t spend nearly as much time or money as you would in a salon.

They’re going to become way more commonplace this year.

Not to sound like I’m a popular teenage girl in a romantic comedy from 2004, but press-on nails are kind of all the rage right now. If you ask professional nail artists, they never really went out of style. “Tips and press-ons have always been critical to editorial manicurists,” says nail artist Miss Pop, who used press-ons to create graphic ’80s nail art at Jeremy Scott’s most recent New York Fashion Week show. “They’ve given us the ability to do truly outrageous looks. You can paint them ahead of a red carpet, runway show, or shoot and apply them quickly.”

Jeremy Scott wasn’t the only spring 2020 New York Fashion Week runway where press-ons were paramount. The ethereal, pearl-embellished looks at Alice & Olivia and the edgy, matte nails seen at Rebecca Minkoff were also the result of custom-painted press-ons — and runway trends always trickle down to the mainstream. Cue the infamous cerulean sweater monologue from The Devil Wears Prada here.

If Meryl Streep as Miranda Priestly can’t convince you, take into consideration the fact that Jennifer Lopez recently wore a set of custom press-ons for her New Year’s Eve bash. Or that famed nail artist Eun Kyung Park just revealed her nail-art closet, comprised entirely of press-on sets she designed herself.

Basically what I’m saying is that, like mine, your love for press-on nails is just inevitable. If this post can’t get you to agree with that, your favorite celebrity or nail artist might when they start wearing them in earnest.


More on nails:


Now, watch us try every single nail-polish removal method:

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NAKZEN Women Watches White Pure Black Ceramics Band Watch Elegant Style Ladies High Quality Beaut…

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Miss Manhattan Audrey Munson Is the Supermodel You’ve Never Heard Of

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At the height of her celebrity, Munson made a career choice that unknowingly set a standard for more than a century of models to come: She pivoted to acting. First on the stage, but soon the burgeoning film industry was interested in her, and she was interested in anything.

In 1916, in a dazzling example of turn-of-the-century Christian solidarity, the Baptist, Presbyterian, and Catholic congregations of New Rochelle, New York, came together to rally against a local screening of Inspiration, on the basis that the film was morally corrupt and unsuitable for public consumption. The film depicts, for the first time in American history, female nudity without pornographic intent — Munson plays a model and muse to a sculptor who falls in love with her but not until after he’s covered her naked body in plaster. A group of high school students who had gathered for the canceled screening returned home, crestfallen.

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“Where is she now, this model who was so beautiful?”

The same year, Munson also decamped for California, where she became one of the earliest American wellness influencers. “Health is certainly the first wealth, and usually the means of every other wealth,” she wrote in one of her semifrequent newspaper columns. “Most healthy people, if not actually beautiful, are certainly good to see.”

Her career barely survived the decade. Film opportunities would materialize and vaporize instantly, like water droplets on a hot iron — the New York Herald described the closing of her film Purity as due to a “sad, but entirely natural lack of interest.” An increasingly frustrated Munson wrote a bizarre letter to the United States government accusing a slew of individuals, including movie and stage producers, of pro-German sympathy in the wake of World War I. Munson believed that, as a woman of English descent, they were conspiring to end her career. A gripping murder-suicide involving a doctor who was obsessed with Munson soured public opinion, and eventually her work dried up entirely — she and her mother moved to upstate New York, where both would live for the rest of their lives.

Not a decade after becoming Miss Manhattan, Munson attempted suicide by drinking poison, shortly after receiving a telegram from her “Most Perfect Man” calling off their impending marriage. She and her mother lived meagerly in their small town, where Munson was regarded as an eccentric, often serving as the scapegoat for unexplained town mischief. At age 40, Munson’s mother had her committed to an asylum. Decades later, journalist James Bone traveled to Oswego County, New York, where, with cooperation from some of Munson’s relatives, he was able to unseal the commitment documents. Her mother had described “depression, delusions, hallucinations,” and despite normal physical evaluations from doctors, the judge approved the motion. The petition was, Bone noted, filed on her birthday. She lived there until she died, the horizons of her world narrowing to a compound of buildings somewhere near the Canadian border.

“What becomes of the artists’ models?” Munson asked in a column published in 1921. “I am wondering if many of my readers have not stood before a masterpiece of lovely sculpture or a remarkable painting of a young girl, her very abandonment of draperies accentuating rather than diminishing her modesty and purity, and asked themselves the question, Where is she now, this model who was so beautiful?”


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Chanel Golden Light Baume Essentiel Review & Swatches

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Golden Light

Chanel Golden Light Baume Essentiel ($45.00 for 0.28 oz.) is a light copper with moderate, warm undertones paired with a glossy finish with subtle pearl. It has an emollient, wetter feel that leaves behind a shinier, glossier finish that doesn’t fully set or dry down, though it doesn’t slide around (surprisingly). The balmy quality seems to give it better spreadability, especially over base products, as I didn’t struggle with it lifting up complexion products.

It worked well applied directly from the tube, patted on with fingertips, or using a synthetic brush, though I prefer fingertip application myself as it gave the control I wanted without lifting up base products (and faster and easier to clean than a brush). It had sheer coverage, which was as expected, that gave a dewy finish with a hint of pearl but very little color (someone fairer might see more color and someone deeper might get more of a highlighting effect). There was still a distinctive glossiness to my cheeks after eight hours of wear, and it was only just barely starting to migrate/move at that point.

The product didn’t wear as well on eyes as it slipped around and creased quickly, though it was lightweight enough that I didn’t feel like I had a glossy balm on my lids. It worked better dabbed below the brow bone to add shine without worrying about the product gathering in my fine lines. As a lip product, it was very lightweight with subtle shine but as one might expect with a multi-tasking product but doesn’t feel as comfortable nor as long-wearing (two hours at best) as a traditional lip balm or a lip gloss.



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